MAJD ALMAGRABIFLORAL ARTIST
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MAJDALMAGRABI

THE DAMASCENE FLORAL ARTIST

EXPLORE THE WORK
SELECTED WORK · SINCE 2003
Raised masses · descending lines — floral work by Majd AlmagrabiDiagonal line · asymmetric balance — floral work by Majd AlmagrabiRepeated stems · open upper edge — floral work by Majd AlmagrabiRounded grouping · varied texture — floral work by Majd AlmagrabiVertical lines · low focal mass — floral work by Majd AlmagrabiStepped structure · contrasting lines — floral work by Majd AlmagrabiAsymmetric mass · upright and trailing lines — floral work by Majd AlmagrabiVertical rhythm · grouped base — floral work by Majd AlmagrabiTiered flowers · vessel continuity — floral work by Majd AlmagrabiDomed mass · tonal variation — floral work by Majd AlmagrabiParallel structure · compact flowers — floral work by Majd AlmagrabiCurving lines · separated vessels — floral work by Majd AlmagrabiDiagonal grouping · trailing extension — floral work by Majd AlmagrabiOpen lines · rounded lower groups — floral work by Majd AlmagrabiClose view · flower and texture contrast — floral work by Majd AlmagrabiView 01 · two unequal extensions — floral work by Majd AlmagrabiView 02 · open space and a central axis — floral work by Majd AlmagrabiView 03 · overlapping surfaces — floral work by Majd AlmagrabiGrouped display · levels and repetition — floral work by Majd AlmagrabiRounded mass · colour grouping — floral work by Majd AlmagrabiDetail view · contrasting directions — floral work by Majd AlmagrabiClose view · hanging masses and a gap — floral work by Majd AlmagrabiBuffet view · repetition in depth — floral work by Majd AlmagrabiRaised bowl · a light upper layer — floral work by Majd AlmagrabiTapered outline · material contrast — floral work by Majd AlmagrabiClose view · solid forms and curved stems — floral work by Majd AlmagrabiLow grouping · repeated accents — floral work by Majd AlmagrabiTriangular grouping · light and dark — floral work by Majd AlmagrabiRepeated cylinders · contrasting circles — floral work by Majd Almagrabi

A FLORAL LANGUAGE

Flowers are not decoration.They are atmosphere, memory and presence.

Every composition begins with a feeling, then finds its form through colour, movement, texture and the architecture around it.

Large signature rose monument by Majd Almagrabi
SIGNATURE COMMISSION · ROSE MONUMENT

EXPLORE THE STUDIO

A clearer way into the work.

Each chapter now has its own space, so the story, portfolio and services can be explored without one long page.

01
01

About Me

My beginnings, my inspiration and the ideas I bring to life.

02
02

Selected work

Original floral worlds and design studies.

03
03

The practice

Commissions, hospitality and creative direction.

THE JOURNAL

Notes from the atelier.

Thoughts on flowers, form, hospitality, craft and the details that make an experience remain.

Why a flower should reach the soul before the eye01
PHILOSOPHY

Why a flower should reach the soul before the eye

The most memorable floral work begins with a human feeling, not with a colour palette.

READ THE NOTE ↗
Scale is not excess: finding the right floral presence02
CREATIVE DIRECTION

Scale is not excess: finding the right floral presence

A monumental arrangement feels luxurious when its proportions belong to the room.

READ THE NOTE ↗
An orchid should always be allowed to breathe03
FLOWER KNOWLEDGE

An orchid should always be allowed to breathe

The elegance of an orchid lives in its line, its movement and the air around every bloom.

READ THE NOTE ↗
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